Live Nation illegally monopolized ticketing market, jury finds
Reaction to verdict & damages
- Many find the jury’s estimate of $1.72 overcharge per ticket implausibly low compared to typical fees adding tens of dollars.
- Strong cynicism about class actions: expectation that lawyers will keep most of the money and consumers get token refunds or coupons.
- Widespread doubt that the verdict will materially restore competition or meaningfully lower prices.
Government, antitrust, and federalism
- Several note that states carrying the case forward shows the value of state-level enforcement when the federal government drops or settles cases.
- Debates over why the earlier federal case was abandoned: some blame political corruption and campaign donations; others point to structural issues with a politicized Department of Justice.
- Comparisons to European systems where prosecutors are less tied to the executive and courts are more insulated from political swings.
Fees, junk charges, and consumer experience
- Broad frustration with “service” and “convenience” fees across tickets, movies, restaurants, and even tax payments.
- Some states have moved against junk fees; others see industry pushback weakening these efforts.
- Users recount paying fees equal to or larger than the face value of tickets, sometimes even at box offices.
Scalpers, resale, and vertical integration
- Concern that combining primary sales and “verified” resale under one corporate umbrella creates perverse incentives to tolerate or enable scalping and multiple resales.
- Disagreement on how much Ticketmaster actually dominates secondary markets, with others highlighting StubHub/SeatGeek/Vivid.
- Some see scalpers as harmful rent-seekers; others frame them as risk-bearing intermediaries ensuring sellouts.
Proposed reforms to ticketing
- Ideas include: non‑transferable tickets tied to ID; lotteries; Dutch auctions; resale price caps; limiting transfers to short windows; or banning secondary markets altogether.
- Counterarguments stress legitimate needs for transfer (gifts, illness, scheduling changes) and fear of over-restricting consumers.
- Some argue auctions and dynamic pricing mainly benefit the wealthy; others say artists/venues should be free to maximize revenue.
Market structure and Live Nation’s moat
- Posters attribute dominance to exclusive multi‑year venue contracts, venue ownership, vertical integration, and decades of weak antitrust enforcement.
- Calls range from “break them up” to skepticism that any remedy will significantly change pricing given artist and venue incentives.
Historical context
- Several recall 1990s attempts by major bands to challenge Ticketmaster and view today’s verdict as extremely delayed accountability.